My consultancy focuses on post-production workflows and media asset management for creative organisations.
I design and implement end-to-end environments that are dependable, scalable and fit for purpose. This work supports broadcasters, production companies, agencies, cultural institutions and technology partners, and is grounded in long-term experience across the full spectrum of moving image production — from film and videotape through to contemporary digital pipelines.
For more than two decades, I have worked in consultancy and training, designing, deploying and supporting infrastructure across North America, Europe and the Middle East. These projects range from boutique facilities to large enterprises, including broadcasters, news organisations, sports teams, Fortune 500 companies and non-profit institutions.
The focus is clarity. Post-production should support creative work, not complicate it. The aim is to make sense of complex environments, remove unnecessary friction and align technology with how teams actually work.
This requires working with the whole system. Outcomes are shaped by the relationship between people, process and technology, not by tools alone. Effective solutions emerge from understanding these relationships in detail and responding with structures that are coherent and sustainable.
My approach is independent and collaborative. I study existing processes, organisational context and team dynamics to develop recommendations that are specific, documented and defensible. The goal is not simply to introduce new tools, but to establish approaches that can adapt as requirements change.
Technology is a means, not an outcome. It extends what is possible, but does not define the work. The priority is consistent: to enable creative practice through environments that are robust, usable and responsive over time.
While I have worked with some very large companies and organisations, many of them household names, the work that is often most satisfying is for the projects where I can make a material difference to individual creatives and filmmakers.